Union and Communion; or, Thoughts on the Song of Solomon — Background and Themes

(0 User reviews)   2832
In Category - Theology
Taylor, James Hudson, 1832-1905 Project Gutenberg 2008 Not confirmed
Bible. Song of Solomon -- Commentaries Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 20,617
Reading time 90 min
Text sections 3

The catalog record for Union and Communion; or, Thoughts on the Song of Solomon — Background and Themes provides practical reading context through 20,617 words, 1 hr 30 min estimated reading time, and 3 detected text sections.

The text analysis averages about 23.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Bible. Song of Solomon -- Commentaries,” connecting these edition facts with the source record’s subject description.

J. Hudson Taylor's devotional commentary on the Song of Solomon traces the believer's union with Christ through the bride's journey from unsatisfied longing to unbroken communion, using the biblical text to illuminate spiritual experience.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

There was no such ointment as that with which the High Priest was anointed: our Bridegroom is a Priest as well as a King. The trembling bride cannot wholly dismiss her fears; but the unrest and the longing become unbearable, and she determines to surrender all, and come what may to follow fully. She will yield her very self to Him, heart and hand, influence and possessions. Nothing can be so insupportable as His absence! If He lead to another Moriah, or even to a Calvary, she will follow Him.

Draw me: we will run after Thee!

But ah! what follows? A wondrously glad surprise. No Moriah, no Calvary; on the contrary, a KING! When the heart submits, then JESUS reigns. And when JESUS reigns, there _is_ rest.

And where does He lead His bride?

The King hath brought me into His chambers.

Not first to the banqueting house--that will come in due season; but first to be alone with Himself.

How perfect! Could we be satisfied to meet a beloved one only in public? No; we want to take such an one aside--to have him all to ourselves. So with our MASTER: He takes His now fully consecrated bride aside, to taste and enjoy the sacred intimacies of His wondrous love. The Bridegroom of His Church longs for communion with His people more than they long for fellowship with Him, and often has to cry:--

Let Me see thy countenance, let Me hear thy voice; For sweet is thy voice, and thy countenance is comely.

Are we not all too apt to seek Him rather because of our need than for His joy and pleasure? This should not be. We do not admire selfish children who only think of what they can get from their parents, and are unmindful of the pleasure that they may give or the service that they may render. But are not we in danger of forgetting that pleasing GOD means giving Him pleasure? Some of us look back to the time when the words "To please GOD" meant no more than not to sin against Him, not to grieve Him; but would the love of earthly parents be satisfied with the mere absence of disobedience? Or a bridegroom, if his bride only sought him for the supply of her own need?

A word about the morning watch may not be out of place here. There is no time so profitably spent as the early hour given to JESUS only. Do we give sufficient attention to this hour? If possible, it should be redeemed; nothing can make up for it. We must take time to be holy! One other thought. When we bring our questions to GOD, do we not sometimes either go on to offer some other petition, or leave the closet without waiting for replies? Does not this seem to show little expectation of an answer, and little desire for one? Should we like to be treated so? Quiet waiting before GOD would save from many a mistake and from many a sorrow.

We have found the bride making a glad discovery of a KING--her KING--and not a cross, as she expected; this is the first-fruit of her consecration.

We will be glad and rejoice in Thee, We will make mention of Thy love more than of wine: Rightly do they love Thee.

Another discovery not less important awaits her. She has seen the face of the KING, and as the rising sun reveals that which was hidden in the darkness, so His light has revealed her blackness to her. "Ah," she cries, "I am black";--"But comely," interjects the Bridegroom, with inimitable grace and tenderness. "Nay, 'black as the tents of Kedar,'" she continues. "Yet to Me," He responds, "thou art 'comely as the curtains of Solomon!'" Nothing humbles the soul like sacred and intimate communion with the LORD; yet there is a sweet joy in feeling that _He_ knows _all_, and, notwithstanding, loves us still. Things once called "little negligences" are seen with new eyes in "the secret of His presence." There we see the mistake, the sin, of not keeping our own vineyard. This the bride confesses:--

Look not upon me, because I am swarthy, Because the sun hath scorched me. My mother's sons were incensed against me, They made me keeper of the vineyards; But mine own vineyard have I not kept.

J. Hudson Taylor's Union and Communion reads the Song of Solomon as an allegory of the believer's relationship with Christ, moving from the unsatisfied life through broken and restored communion to the joy of unbroken fellowship. The book's structure—six sections plus an appendix—mirrors this progression, each section drawing directly on verses from the Song. Taylor's method is expository: he quotes a passage, then unpacks its spiritual meaning with minimal reference to historical-critical questions. The foreword by Rev. J. Stuart Holden emphasizes that Taylor's own life exemplified the union he describes, noting that he 'translated his vision of the Beloved into life-long strenuous service.'

The Bride's Self-Satisfaction and the Knocking Suitor

In the excerpt from Section IV, Taylor focuses on the bride's condition of 'self-satisfaction and love of ease' that closes the door to the Bridegroom. He contrasts this with the earlier call to 'Arise, and come away,' noting that now the Bridegroom's word is 'Open to Me, My sister, My love.' The Bridegroom's plea—'My head is filled with dew, My locks with the drops of the night'—is interpreted as the result of His shepherd-heart seeking wandering sheep. Taylor writes, 'The heart that never can forget, the love that never can fail, must seek the wandering sheep until the lost one has been found.' The bride's response—'I have put off my coat; how shall I put it on? I have washed my feet; how shall I defile them?'—is read as a refusal to leave comfort for self-denying service. Taylor warns against delighting in conferences and rest while neglecting 'to fight the good fight of faith.'

The Danger of Occupied with One's Own Graces

Taylor observes that when the bride finally rises to open the door, she is 'more concerned to anoint herself with the liquid myrrh than to speedily welcome her waiting Lord.' The myrrh on her hands and fingers becomes a symbol of preoccupation with her own spiritual graces rather than with the Bridegroom's desire. The result is that 'the grieved One had withdrawn Himself before she was ready to receive Him.' This sequence—the Bridegroom's knocking, the bride's delay, and His withdrawal—is presented as a pattern for the believer's experience of communion broken by self-focus. Taylor does not claim that the bride's position is wrong; rather, her condition is the problem. The passage illustrates how even legitimate spiritual practices can become barriers to immediate responsiveness to Christ.

The Shepherd Heart and the Wandering Sheep

Taylor repeatedly ties the Bridegroom's actions to His shepherd heart. The dew on His head is explained by His labor: 'There are those whom the Father has given to Him who are wandering on the dark mountains of sin.' The Bridegroom's knocking is linked to Revelation 3:20, where Christ stands at the door and knocks. Taylor emphasizes that the Bridegroom's entreaty is 'touching' and 'sad' because He is outside a closed door—a door that belongs to a heart that is His own. The bride's failure to open is not rebellion but lethargy: she is 'asleep' though her heart wakes. Taylor's reading consistently draws the reader's attention to the cost of the Bridegroom's love—the night, the dew, the solitary seeking—as a motivation for the believer's response.

Taylor's commentary is best read as a devotional companion to the Song of Solomon, not a scholarly analysis. Readers familiar with the biblical text will notice that Taylor selects and interprets verses to fit his allegorical framework, often passing over alternative readings. The book's value lies in its pastoral application: it invites the reader to examine their own responsiveness to Christ, using the bride's failures and restorations as mirrors. The foreword's claim that Taylor 'exemplified' what he expounded suggests that the author's life—as founder of the China Inland Mission—is meant to lend credibility to the interpretation.

That September drizzle kept me indoors, and I found myself underlining Taylor’s quiet insistence that the bride’s ache was not shameful but sacred. Later, thumbing the bookshelf, the same gentle logic surfaced in another old volume: St. Paul's Epistle to the Ephesians: A Practical Exposition — Context and Discussion. Both seemed to whisper that union is less grasped than received—a slow, unhurried homecoming.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Take a moment to reflect on this book

Create a short personal record of your experience with this book.

Your progress 0 / 10
1

Have you finished this book?

2

How much did you enjoy the reading experience?

3

Would you recommend this book to another reader?

4

Did the language feel accessible?

Related eBooks