Commentary on Genesis, Vol. 1: Luther on the Creation — Inside the Classic

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In Category - Theology
Luther, Martin, 1483-1546, Lenker, John Nicholas, 1858-1929 [Translator] Project Gutenberg 2015 Not confirmed
Bible. Genesis -- Commentaries Readers of public-domain and historical texts
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Words 177,740
Reading time 773 min
Text sections 16

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This editorial note examines Martin Luther's commentary on Genesis 1–4, focusing on his rhetorical shifts between doctrinal exposition and vivid, almost sensory descriptions of prelapsarian life, as seen in his treatment of nakedness, shame, and the fall.
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This first chapter of our Holy Bible is written in the simplest and plainest language, and yet it contains the greatest and at the same time the most difficult themes. Therefore the Jews, as Jerome testifies, were forbidden to read it or hear it read before they were thirty years of age. The Jews required that all the other Scriptures be well known by every one before they were permitted to approach this chapter. Their Rabbins however accomplished little good by this, for even many of the Rabbins themselves, whose years were more than twice thirty, give in their commentaries and Talmuds the most childish and foolish explanations of these, the greatest of all subjects.

Nor has any one yet in the church to the present day explained all these momentous things correctly and satisfactorily in every respect. For interpreters have confused and entangled every thing with such a variety, diversity and infinity of questions that it is very clear that God reserved to himself the majesty of this wisdom, and the correct understanding of this chapter, leaving to us only the general ideas that the world had a beginning and was created by God out of nothing. This general knowledge may clearly be taken from the text. But with respect to the particulars, there is so much that one cannot be clear about and hence innumerable questions have continually been raised in commentaries.

From Moses however we know that 6000 years ago the world did not exist. But of this no philosopher can in any way be persuaded; because, according to Aristotle the first and the last man cannot in any way be determined, although however Aristotle leaves the problem in doubt whether or not the world is eternal, yet he is inclined to the opinion that it is eternal. For human reason cannot ascend higher than to declare that the world is eternal, and an infinite generation preceded us and will follow us. Here human reason is forced to stand still. However from this belief follows as a consequence the perilous opinion that the soul is mortal, because philosophy knows no plurality of infinities. For it cannot be, but that human reason must be overwhelmed and shipwrecked in the sea of the majesty of these themes.

Plato collected, perhaps in Egypt, some traditional sparks as it were from the sermons of the fathers and prophets, and therefore he came nearer the truth than others. He holds that matter and mind are eternal; but he says that the world had a beginning and that it was made out of matter. But I cease to mention the opinions of philosophers, for Lyra cites these although he does not explain them.

Thus neither among the Hebrews, Greeks nor Latins is there a leading teacher whom we can follow here with safety. Therefore I shall be pardoned if I shall see what I can say on the subject. For except the one general opinion that the world was created out of nothing there is scarcely another thing connected with the subject on which there is entire agreement among all theologians.

Hilary and Augustine, two great lights in the church, believed that the world was made on a sudden and all at once, not successively during the space of six days. Augustine plays upon these six days in a marvelous manner in explaining them. He considers them to be mystical days of knowledge in the angels, and not natural days. Hence have arisen those continual discussions in the schools and in churches concerning the evening and morning knowledge, which Augustine was the cause of being introduced. These are all diligently collected and particularly mentioned by Lyra. Let those therefore who wish to know more about them consult Lyra.

Martin Luther's commentary on the opening chapters of Genesis moves with notable shifts in pace and voice. In the excerpts, he alternates between tight doctrinal argument and expansive, almost sensory description. One striking instance is his treatment of nakedness: he contrasts the prelapsarian state, where going about naked was 'laudable, delightful and glorious to God,' with the postlapsarian condition, where the same state would be 'our deepest shame.' This rhetorical pivot from theological principle to a concrete, almost tactile image of human vulnerability reveals Luther's method of grounding abstract doctrine in physical experience.

Rhetorical Contrasts in Describing Innocence and Fall

Luther's commentary gains force from sharp contrasts. When describing Adam and Eve's original state, he uses positive, almost lyrical language: their nakedness was a 'glory,' and they felt no distress from cold or heat. He notes that human eyes 'retain still that peculiarity of nature' of being unaffected by temperature, implying that the whole body once shared that resilience. But then he pivots abruptly: 'But all this glory is lost.' The sentence structure itself enacts the fall—a long, flowing description of innocence is cut short by a blunt declaration of loss. This pattern recurs: Luther builds a picture of perfection only to shatter it with a terse statement of ruin. The effect is to make the reader feel the weight of the fall not as a doctrine but as a visceral rupture.

Voice and Audience in Luther's Expository Style

Luther's expository voice is that of a teacher who assumes his listeners are engaged but not necessarily learned. He frequently uses direct address and rhetorical questions, as when he writes of the serpent's subtlety: 'Now the serpent was more subtle than any beast of the field.' He then immediately explains what that subtlety implies for the narrative. His sentences vary from short, punchy assertions—'We alone, of all creatures, are born naked'—to longer, more complex chains of reasoning. This variation keeps the pace from becoming monotonous. Notably, Luther does not shy away from vivid, almost homely details: he lists 'hairs, bristles, feathers or scales' as the coverings of other animals, grounding his theological point in observable nature. The voice is authoritative but not distant; it invites the reader to see the Genesis story as a living, immediate reality.

Pacing Through Structural Repetition and Expansion

The commentary's structure itself creates a distinctive rhythm. Luther often states a verse, then expands it in a series of parallel observations. For example, after quoting the serpent's description, he recapitulates the preceding chapter's teaching on man's creation, then adds: 'This original state of things shows how horrible the fall...' The repetition of key phrases—'in what manner' appears three times in one paragraph—serves as a mnemonic device, slowing the pace to allow absorption. Yet within these repetitive frameworks, Luther inserts sudden accelerations: a short sentence like 'But all this glory is lost' breaks the pattern. This alternation between deliberate, almost liturgical repetition and abrupt, declarative shifts gives the commentary a pulpit-like cadence, as if Luther is both meditating and preaching. Readers attuned to oral delivery will recognize the marks of a text designed to be heard as well as read.

Readers approaching this volume should attend to the interplay between Luther the theologian and Luther the storyteller. His commentary rewards those who listen for shifts in register—from the analytical to the evocative, from the repetitive to the abrupt. The editorial apparatus, including the multiple prefaces and dedications, frames the work as both a scholarly and devotional text. For a full appreciation, consider reading passages aloud to catch the rhetorical rhythms that mark Luther's distinctive voice.

Reading Luther’s portrait of Eden—that odd, almost tender shame before the fall—I remembered sitting on my grandmother’s porch, wrestling with the same questions in a thin, worn volume. It was Free and Impartial Thoughts, on the Sovereignty of God, The Doctrines of Election, Reprobation, and Original Sin: Humbly Addressed To all who Believe and Profess those — A Reader’s Guide, and I felt that same strange ache—doctrine made flesh, not just argued.

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