The Song of Songs Translated from the Original Hebrew, with a Commentary, Historical and Critical — Key Ideas to Explore
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n, in consequence of their natural levity, were not admitted as legal witnesses in courts of justice. Maimonides teaches the same; “There are,” says this great luminary, “ten sorts of disqualifications, and every individual in whom one of them is found, is disqualified from giving evidence; and these are women, slaves, children, idiots, the deaf, the blind, the wicked, the despised, relations, and those interested in their testimony; these are the ten.” [17] The Rabbins endeavour to justify this inhuman treatment of women from the law of Moses. “Women,” say they, “are disqualified by the law from giving testimony: for it is said, ‘At the mouth of two witnesses,’ where the word ‘witnesses’ is of the masculine, and not feminine gender.” It is not to be wondered at, therefore, that the Jew, among his thanksgivings, should say to the Almighty every morning, “Blessed be thou, O Lord our God, King of the universe, that thou hast not created me a woman.”
Now, if one sex of the human family has been so degraded by the other; if she whom God created to be a help-mate and counterpart has been reduced by man to the slave of his carnal lusts; if such slavish and inhuman treatment has been justified on the false plea of the natural unfaithfulness and incontinency of the sex; if exclusion from society and imprisonment have been deemed necessary for the preservation of her morals, how greatly has woman been alienated from the original design of her creation! how unjustly has her character been aspersed! how inhumanly has she been treated! and how great is the importance of a book which celebrates the virtuous example of a woman, and thus strikes at the root of all her reproaches and her wrongs!
The importance of this view of the book may be further seen from the fact, that, in proportion to the degradation of women, men themselves have become degraded; for, deprived of the meliorating influences which the delicacy and tenderness of women were designed to have over them, and never more needed than in their fallen state, they have abandoned themselves to their worst passions and desires, and thus their whole civil and social condition has been proportionally undignified and unblest. Look, on the other hand, at the state of society where woman is restored to her rightful position, there we shall find refinement of manners, purity of conversation, mutual confidence and affection, domestic happiness, intellectual enjoyment, freedom of thought and action, sympathetic repose, and whatever, in fact, tends to mitigate the unavoidable evils of the present life; all referable, in a greater or less degree, to the unrestricted influence of woman upon the child and upon the man. In religion, her influence is still more potent. If first in the transgression, she is first in the restoration; and were man as ready to follow her in doing good as he has been in doing evil, the world would long ago have been in a holier and happier state than it is at present. Who constitute the principal part of our worshipping assemblies? Women. Who form the chief portion of the members of our churches? Women. Who are the chief agents in the religious education of our children? Women. Who are the main support of our various benevolent and evangelical institutions? Women. Let it not be said, then, that a Book which celebrates the ascendency of a virtuous woman in humble life over all the blandishments of wealth and royalty, is unworthy of a place in Holy Writ.
The importance of this book is, moreover, enhanced by the circumstances more immediately connected with the time in which it was written.
The conduct of Bath-sheba with David was calculated to confirm man in his opinion that woman was naturally unfaithful and incontinent, and that it was requisite to exclude her from society, in order to preserve her morals. But the narrative here recorded forms a contrast to the conduct of Bath-sheba. It shows the power of virtue in a woman, even of humble life. As the wife of an officer of rank, accustomed to luxury and wealth, the temptations of Bath-sheba were not so great, and yet she surrendered to them. Whereas the Shulamite, a humble shepherdess, to whom the promise of costly apparel and of elevation from a low and toilsome occupation to the highest rank, must have been an extraordinary allurement, triumphed over them all. If one woman yielded to small incitements, this book shows that another overcame unparalleled temptations, and thus checked the clamour against woman which might have arisen from the conduct of Bath-sheba with David.
SECTION V.—HISTORICAL SKETCH OF THE EXEGESIS OF THE BOOK.
Christian D. Ginsburg opens his 1857 commentary by declaring his aim to apply "the established laws of historico-grammatical exegesis" to the Song of Songs, arguing that its literal sense teaches a moral lesson "worthy of Divine inspiration." He immediately draws a parallel between the Shulamite's fidelity to her shepherd and the believer's resistance to worldly temptation—a typological reading that frames the entire work. The preface also reveals that this volume is the first of a planned series on the five Megilloth, and that Ginsburg consulted contemporary grammars by Gesenius and Ewald, as well as Fürst's lexicon.
A Historical Survey of Interpretation
Ginsburg devotes a substantial portion of his introduction to a "Historical Sketch of the Exegesis of the Book" (Section V), classifying and examining different interpretive approaches. The excerpts show him engaging with Jewish sources such as the Targum, Saadias Gaon, Rashi, Ibn Ezra, and the commentary of R. Samuel ben Meier (Rashbam), recently edited by Adolph Jellineck in 1855. He also references Christian interpreters and the allegorical tradition that read the Song as a depiction of Christ and the church. This survey is not merely doxographical; Ginsburg uses it to position his own literal-historical method as a corrective to what he sees as excessive allegorization.
The Shulamite as Moral Exemplar
In the preface, Ginsburg summarizes the narrative: the Shulamite, "espoused to her shepherd, is tempted by a mighty potentate with riches and pleasures to transfer her affections; but, strengthened by the power of divine love, she resists all temptation, remains faithful to her beloved, and is ultimately rewarded." This précis is notable for its clarity and for the way it treats the poem as a coherent story with a moral arc. Ginsburg then applies this to the believer's experience: "The people of God, espoused to ‘the Shepherd and Bishop of their souls,’ are tempted by the prince of this world to forsake their Lord." The typology is explicit but grounded in the literal sense.
Engagement with Medieval Jewish Exegesis
The excerpts include a lengthy passage from a medieval Jewish commentary—possibly Ibn Ezra or Joseph Kaspi—that interprets the Song as an allegory of the relationship between the Active Intellect and the human soul. The text states: "this book is a parable of the union of the Active Intellect with the human intellect, which is divided into four kinds, the noblest of which is the emanated intellect." Ginsburg's inclusion of such material, complete with Hebrew text and footnotes referencing Zunz and Sachs, demonstrates his commitment to documenting the full range of exegetical tradition. He does not endorse this philosophical reading but presents it as part of the historical record.
Textual and Philological Apparatus
Ginsburg's commentary is heavily philological. The excerpts show him citing Hebrew grammars, comparing variant readings, and offering lexical notes. For example, a footnote explains that "through receiving the law Israel was anointed, i.e., became wise, and the fame of their wisdom was diffused abroad," referencing Saadias on the passage. Another note clarifies that "swarthy through the sin of the calf, comely through the reception of the Law" is a paraphrase of the Targum. The commentary also includes references to contemporary scholars such as Zunz, Jost, and Fürst, situating Ginsburg within the nineteenth-century Wissenschaft des Judentums movement.
Readers approaching this edition should note that Ginsburg's commentary is both a work of scholarship and a theological argument. The lengthy introduction—especially the historical survey of exegesis—provides essential context for understanding his method. The commentary itself is dense with philological detail and cross-references to Jewish and Christian sources. For a first reading, it may be helpful to start with the preface and the summary of the narrative, then consult the commentary on individual verses as needed. The Hebrew text is included, but the English translation and notes make the work accessible to readers without Hebrew.
Reading Ginsburg’s commentary on the Song of Songs, I kept thinking of how he traces ancient voices arguing over a single phrase, each hoping to pin down its truth. That patient, layered searching reminded me, oddly, of evenings spent with a quieter book about the psalms, where the same kind of reverence for older words lives on. A manual of the book of Psalms — Context and Discussion felt like a familiar hand resting near mine.
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